At first glance it seems that Nella Larsen wrote Quicksand just to irritate and disoblige her readers with a wishy-washy macabre heroine who has no direction in her life, hitherto is invariably unsatisfied with her available roles. I was in person pique when this fictional wo worldly concern, Helga Crane, was given opportunity later opportunity, first a decent job at a well-respected school, hence an employer who helps her draw off on her feet in modernistic York, then money send to her from her uncle, then an open invitation to red-hot with her aunt in Copenhagen, then a married copulate proposal to a wealthy man, yet to have her disavow the offer and go where the wind blows her, constantly sad and complaining. I found the ending fitting, that this charwoman who neer lifted a finger to effect any change, who neer showed any cacoethes or zest for life would convalesce herself married to a decent yet inappropriate man who did not construct what a fragile thing he had married. Â Â Â Â Â Â Â Â Then I read the novel again. Upon second glance, I saw Larsen making a social commentary approximately a black womans role during the Harlem Renaissance.
The characters in the novel cook up the contrastive ideologies of black philosophers during the Harlem Renaissance, and through this novel, Larsen shows how each falls jejune when confronted with a true, complex black woman. Not only is Helga a consonant character, but the very nature of her intelligence and debaucher prevents her from nutrition the life a good black woman should want, to wit the teaching position at Na xos, or marriage to a prosperous man. She r! ealizes on that point is something more out at that place for her, but having been raised as an outcast among her own assembly because of her lack of family, she is given little opportunity to find a suitable... If you want to get a full essay, order it on our website:
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